Auguste-Hyacinthe DeBay – The Nation Is in Danger, or the Enrollment of Volunteers at the Place du Palais Royal in July 1792 Metropolitan Museum: part 2

Metropolitan Museum: part 2 – Auguste-Hyacinthe DeBay - The Nation Is in Danger, or the Enrollment of Volunteers at the Place du Palais Royal in July 1792

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Metropolitan Museum: part 2 - Richard Parkes Bonington - View near Rouen

Metropolitan Museum: part 2 - Master of the Berswordt Altar - The Flagellation

Metropolitan Museum: part 2 - Attributed to Bernard van Orley - The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l’oeil with Painting of The Man of Sorrows

Metropolitan Museum: part 2 - Théodore Chassériau - Scene from the Gallic Wars: The Gaul Littavicus, Betraying the Roman Cause, Flees to Gergovie to Support Vercingétorix

Metropolitan Museum: part 2 - François-Joseph Heim - The Sack of Jerusalem by the Romans

Metropolitan Museum: part 2 - Jean-François Millet - Retreat from the Storm

Metropolitan Museum: part 2 - Auguste-Xavier Leprince - Man in Oriental Costume in the Artist’s Studio

Metropolitan Museum: part 2 - Pierre-Antoine-Auguste Vafflard - Edward Young (1683–1765) and His Step-Daughter Elizabeth Temple (d. 1736)

Metropolitan Museum: part 2 - Federico Barocci - Saint Francis

Metropolitan Museum: part 2 - Vincent van Gogh - The Potato Peeler (recto: Self-Portrait with a Straw Hat)

Metropolitan Museum: part 2 - Philippe de Champaigne - The Annunciation

Metropolitan Museum: part 2 - German Painter, 1440–50 - The Annunciation

Metropolitan Museum: part 2 - Eugène Delacroix - The Abduction of Rebecca

Metropolitan Museum: part 2 - Auguste Renoir - Madame Georges Charpentier (née Marguérite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Émile-Charles (1875–1895)

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AI

L'image a quelque chose de ça: gens, porter, groupe, homme, enfant, deux, femme, maladie, portrait, la musique, expression faciale, guerre, interaction, fils, voile.
C'est peut-être gros plan d’une peinture représentant une personne tenant un bâton avec d’autres personnes à l’arrière-plan et.

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