Charles-Émile Jacque, French, 1813-1894 – Sheep Leaving a Farmyard Philadelphia Museum of Art

Philadelphia Museum of Art – Charles-Émile Jacque, French, 1813-1894 -- Sheep Leaving a Farmyard

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Philadelphia Museum of Art - Charles Willson Peale, American, 1741-1827 -- Portrait of John and Elizabeth Lloyd Cadwalader and Their Daughter Anne

Philadelphia Museum of Art - Charles Willson Peale, American, 1741-1827 -- Portrait of John B. Bayard

Philadelphia Museum of Art - Charles Willson Peale, American, 1741-1827 -- Portrait of Martha Cadwalader Dagworthy

Philadelphia Museum of Art - Charles Willson Peale, American, 1741-1827 -- Portrait of Mrs. John B. Bayard

Philadelphia Museum of Art - Charles Willson Peale, American, 1741-1827 -- Rachel Weeping

Philadelphia Museum of Art - Charles Willson Peale, American, 1741-1827 -- Staircase Group (Portrait of Raphaelle Peale and Titian Ramsey Peale)

Philadelphia Museum of Art - Charles-François Daubigny, French, 1817-1878 -- Mill

Philadelphia Museum of Art - Charles-François Daubigny, French, 1817-1878 -- Solitude

Philadelphia Museum of Art - Charles-Joseph Natoire, French, 1700-1777 -- Venus and Adonis

Philadelphia Museum of Art - Christian Schussele, American (born France), 1824 or 1826-1879 -- Hubert and Arthur

Philadelphia Museum of Art - Christoffel van den Berghe, Dutch (active Middelburg), active c. 1617-c. 1642 -- Still Life with Flowers in a Vase

Philadelphia Museum of Art - Cima da Conegliano (Giovanni Battista Cima), Italian, active Venice and Veneto, 1459/60-1517/18 -- Bacchant

Philadelphia Museum of Art - Cima da Conegliano (Giovanni Battista Cima), Italian, active Venice and Veneto, 1459/60-1517/18 -- Silenus and Satyrs

Philadelphia Museum of Art - Claude Gellée, also called Claude Lorrain, French, 1600-1682 -- Landscape with Cattle and Peasants

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A.I.

L'image a quelque chose de ça: bétail, maison, agriculture, gens, ferme, en plein air, bétail, paysage, mammifère, lumière du jour, maison, militaire, mouton, architecture, campagne, vache, guerre, eau.

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