A VIEW OF THE CAMPO VACCINO WITH THE TEMPLE OF JUPITER STATOR, THE ARCH OF TITUS, THE COLOSSEUM, THE BASILICA OF MAXENTIUS, THE TEMPLE OF ANTONINUS AND FAUSTINA AND THE TEMPLE OF CONCORD WITH THE BORGHESE VASE Giovanni Paolo Panini (1691-1765)

Giovanni Paolo Panini – A VIEW OF THE CAMPO VACCINO WITH THE TEMPLE OF JUPITER STATOR, THE ARCH OF TITUS, THE COLOSSEUM, THE BASILICA OF MAXENTIUS, THE TEMPLE OF ANTONINUS AND FAUSTINA AND THE TEMPLE OF CONCORD WITH THE BORGHESE VASE

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Peintre: Giovanni Paolo Panini

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Giovanni Paolo Panini - The Pantheon and other Monuments

Giovanni Paolo Panini - Architectural Capriccio with Figures discoursing among Roman Ruins

Giovanni Paolo Panini - View of Piazza del Popolo, Rome

Giovanni Paolo Panini - Capriccio of classical ruins

Giovanni Paolo Panini - Capriccios of classical ruins with Pyramid of Cestius

Giovanni Paolo Panini - A CAPRICCIO OF HADRIAN S MAUSOLEUM, THE TEMPLE OF FORTUNA VIRILIS, THE MILVIAN BRIDGE ANDTHE BASILICA OF ANTONINUS WITH THE FARNESE HERCULES, THE MEDICI VASE

Giovanni Paolo Panini - AN ARCHITECTURAL CAPRICCIO WITH FIGURES AMONGST ANCIENT RUINS

Giovanni Paolo Panini - St. Peter s Square with Allegory of the Papacy

Giovanni Paolo Panini - Preparations for fireworks and decoration for the festival given in honor of the birth of Louis, the Dauphin of France, in the Piazza Navona

Giovanni Paolo Panini - The Merchants Driven from the Temple

Giovanni Paolo Panini - A concert in the circular colonnade of Doric style

Giovanni Paolo Panini - Ruins with the pyramid of Caius Cestius

Giovanni Paolo Panini - Hermes Appears to Calypso

Giovanni Paolo Panini - Alexander the Great at the Tomb of Achilles

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A.I.²

L'image a quelque chose de ça: architecture, colonne, temple, ancien, assemblée, archéologie, bâtiment, la tour, ville, ciel, substrat rocheux, cambre, monument, pierre, parthénon, se ruiner.
C'est peut-être peinture représentant des ruines romaines avec des personnes et des animaux au premier plan et de l’autre côté de la peinture, un homme avec un chien..

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